Alland, Alexander. Jessie Tarbox Beals: First Woman News Photographer. (New York: Camera Graphic Press, 1978).
Arlen, Michael J. Living-Room War. (Harmondsworth, Middlesex, England: Penguin Books, 1982).
Auer, Michel. The Illustrated History of the Camera: From 1839 to the Present. Trans. by D. B. Tuggs. (Boston: New York Graphic Society, 1975).
Barker, David. "The Emergence of Television's Repertoire of Representation. 1920-1935." Journal of Broadcasting and Electronic Media. 35:3 (Summer, 1991): 305-318.
Barnhurst, Kevin G. and John C. Nerone. "Design Trends in U.S. Front Pages, 1885-1985." Journalism Quarterly. 68 (Winter 1991): 796-804.
Baxandall, Michael. Patterns of Intention: On the historical Explanation of Pictures. (New Haven: Yale University Press, 1985).
Becker, Karin. "Photojournalism and the Tabloid Press." In Peter Dahlgren and Colin Sparks (Eds). Journalism and Popular Culture. (London: Sage, 1992): 130-153.
Becker, Karin E. "Forming a Profession: Ethical Implications of Photojournalistic Practice on German Picture Magazines, 1926-1933." Studies in Visual Communication. 11:2 (1985): 44-60.
Beaton, Cecil and Gail Buckland. The Magic Image: The Genius of Photography from 1839 to the Present Day. (Boston: Little Brown & Co., 1975).
Bisbee, A. The History and Practice of Daguerreotyping. 1853. Reprinted (New York: Arno Press, 1973).
Blackman, Margaret B. "Visual Ethnohistory: Photographs in the Study of Culture History." In Dennis Weidman, Gerry Williams and Mario Zamora (Eds.) Studies in Third World Societies Publication 35. (Williamsburg, VA: William and Mary College, 1986).
Borchert, James. "Analysis of Historical Photographs: A Method and a Case Study." Studies in Visual Communication. 7:4 (Fall, 1981): 30-63.
Bossen, Howard. "A Tall Tale Retold: The Influence of the Photographs of William Henry Jackson on the Passage of the Yellowstone Park Act of 1872." Studies in Visual Communication 8 (Winter, 1982): 98-109.
Brewster, Sir David. The Stereoscope: Its History, Theory and Construction. (London: John Murray, 1856).
Buchloh, B. H. D. and R. Wilkie (Eds). Mining Photographs and Other Pictures 1948-1968. (Cape Breton: Nova Scotia College of Art and Design, 1983).
Buckland, Gail. Reality Recorded: Early Documentary Photography. (Greenwich: New York Graphic Society, 1974).
Buckland, Gail. Fox Talbot and the Invention of Photography. (Boston: David R. Godine, 1980).
Bunnell, Peter (Ed.). A Photographic Vision: Pictorial Photography, 1889-1923. (Salt Lake City: Peregrine Smith, 1980).
Caffin, Charles H. Photography as a Fine Art: The Achievement and Possibilities of Photographic Art in America. 1901. Reprinted (Dobbs Ferry, NY: Morgan & Morgan, 1971).
Carlebach, Michael. The Origins of Photojournalism in America. (Washington, D.C.: Smithsonian Institute Press, 1992).
Carnes, Cecil. Jimmy Hare, News Photographer. (New York: MacMillan, 1940).
Coe, Brian and Paul Gates. The Snapshot Photograph: The Rise of Popular Photography, 1888-1939. (London: Asch and Grant, Ltd., 1977).
Collins, Kathleen. (Ed.) Shadow and Substance: Essays on the History of Photography (Troy, MI: Amorphous Institute Press, 1990).
Coke, Van Deren, Ute Eskildsen, and Bernd Lohse, (Eds.). Avant-garde Photography in Germany, 1919-1930. (San Francisco: San Francisco Museum of Modern Art, 1960).
Coke, Van Deren (Ed.) One Hundred Years of Photographic History: Essays in Honor of Beaumont Newhall. (Albuquerque: University of New Mexico Press, 1975).
Craig, James and Bruce Barton. Thirty Centuries of Graphic Design: An Illustrated Survey. (New York: Watson-Guptill, 1987).
Crawford, William. The Keepers of Light: A History & Working Guide to Early Photographic Processes. (Dobbs Ferry, NY: Morgan & Morgan, 1979).
Darrah, William Culp. Cartes de Visite in Nineteenth-Century Photography. (Gettysburg: Wm.C. Darrah, 1981).
Darrah, William Culp. Stereo Views: A History of Stereographs in America and a Guide to Their Collection. (Gettysburg: Times and News Publishing Co., 1964).
Darrah, William Culp. The World of Stereographs. (Gettysburg,: Wm. C. Darrah, 1977).
Davison, J. Robert. "Turning a Blind Eye: The Historian's Use of Photographs." BC Studies. 52 (Winter 1981-82): 16-38.
Denzer, Kiko. "The Documentary Imagination of Lewis Hine." History Today (1988): 49-55.
Doty, Robert. Photo-Secession: Stieglitz and the Fine Art Movement in Photography. (New York: Dover Publications, 1978).
Durham, Michael S. Powerful Days: The civil Rights Photography of Charles Moore (New York: Stewart, Tabori and Chang, 1991).
Earle, Edward W. (Ed). Points of View: The Stereograph in America--A Cultural History. (Rochester, NY: Visual Studies Workshop, 1970).
Eder, Josef Maria. History of Photography. Trans. Edward Epsteam. (New York: Dover Publications, 1978).
Edom, Clifton C. "Photo-Propaganda: The History of Its Development." Journalism Quarterly (1947): 221-226.
Faber, John. Great News Photos and the Stories Behind Them. 2nd ed. (New York: Dover Publications, 1978).
Fabian, Rainer and Hans C. Adam. Images of War: 130 Years of War Photography (Great Britain: New English Library, 1983).
Fouque, Victor. The Truth Concerning the Invention of Photography: Nicephore Niepce: His Life and Works. Trans. Edward Epstean. (New York: Tennant and Ward, 1935).
Fulton, Marianne (Ed.). Eyes of Time: Photojournalism in America. (Boston: Little, Brown, 1988).
Gambee, Budd Leslie, Jr. Frank Leslie and His Illustrated Newspaper, 1855-1860. (Ann Arbor: University of Michigan Department of Library Science, 1964).
Gardner, Alexander. Gardner's Photographic Sketch Book of the War. 2 vols. 1866. Reprint (New York: Dover Publications, 1959).
Gassan, Arnold. A Chronology of Photography: A Critical Survey of the History of Photography as a Medium of Art. (Athens: Handbook Co., 1972).
Gernsheim, Helmut and Alison Gernsheim. The History of Photography from the Camera Obscura to the Beginning of The Modern Era. (New York: McGraw-Hill, 1969).
Gernsheim, Helmut and Alison Gernsheim. A Concise History of Photography. (New York: Grosset and Dunlap, 1965).
Gernsheim, Helmut and Alison Gernsheim. L.J.M. Daguerre: The History of the Diorama and the Daguerreotype. (London: Secker and Warburg, 1956).
Gernsheim, Helmut. The Origins of Photography. (New York: Thames and Hudson, 1982).
Gidal, Tim N. Modern Photojournalism: Origins and Evolution 1910-1933. (New York: MacMillan Publishing Co., 1973).
Gilbert, George. Photography: The Early Years. (New York: Harper & Row, 1980).
Gould, Lewis, L. and Richard Greffe. Photojournalist: The Career of Jimmy Hare. (Austin, TX: University of Texas Press, 1977).
Gover, C. Jane. The Positive Image: Women Photographers in Turn of the Century America (Albany, NY: State University of New York Press, 1988).
Green, Jonathan. A Critical History of American Photography. (New York: Harry N. Abrams, 1984).
Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. (Boston: Bulfinch Press, 1989).
Harker, Margaret. The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910. (London: Heineman, 1979).
Hardt, Hanno and Karin B. Ohrn. "The Eyes of the Proletariat: The Worker-Photography Movement in Weimar Germany." Studies in Visual Communication. 7:4 (Fall, 1981): 72-83.
Hassner, Rune. "Photography and the Press." In Jean-Claude Legagny and Andre Rouille (Eds.) A History of Photography: Social and Cultural Perspectives. (Cambridge: Cambridge University Press, 1987).
Haworth-Booth, Mark, (Ed.). The Golden Age of British Photography, 1839-1900. (Millerton, NY: Aperture, 1984).
Hightower, Paul. "A Study of the Messages in Depression-Era Photos." Journalism Quarterly 57 (Autumn 1980): 495-497.
Holland, Patricia and Jo Spence and Simon Watney. Photography/Politics: Two. (London: Comedia, 1986).
Horan, James D. Mathew Brady, Historian with a Camera. (New York: Crown Publishers, 1955).
Horan, James D. Timothy O'Sullivan: America's Forgotten Photographer. (New York: Doubleday & Co., 1966).
Horgan, Stephen H. Horgan's Half-Tone and Photomechanical Processes. (Chicago: Inland Printer Co., 1913).
Jareckie, Stephen. American Photography, 1840-1900. (Worcester, MA.: Worcester Art Museum, 1976).
Jeffrey, Ian. Photography: A Concise History. (London: Thames and Hudson, 1981).
Jenkins, Harold F. Two Points of View: The History of the Parlor Stereoscope. (Elmira, NY: World in color Productions, 1976).
Jenkins, R. V. Images and Enterprise: Technology and the American Photographic Industry, 1839-1925. (Baltimore: Johns Hopkins Press, 1975).
Jussim, Estelle. Visual Communication and the Graphic Arts.: Photographic Technologies in the 19th Century. (New York: Bowker, 1983).
Kahan, Robert S. "Magazine Photography Begins: An Editorial Negative." Journalism Quarterly. (1965): 53-59.
Kahan, Robert S. "America in a Visual Century." Journalism Quarterly. 69:2 (Summer 1992): 262-265.
Katz, D. Mark. Witness to an Era: The Life and Photographs of Alexander Gardner. (New York: Viking, 1991).
Kenny, James and Isabel Enriquez Kenny. "Researching the Historical Film." In Roberts A. Braden, Darrell G. Beauchamp, and Judy Clark Baca, (Eds.) Perceptions of Visual Literacy. 1989 Annual Conference Proceedings. 1990.
Kenney, Keith and Brent Unger. "The Mid-Week Pictorial: Forerunner of American News-Picture Magazines." American Journalism. 11:3 (Summer 1994): 242-256.
Leekley, Sheryle and John Leekley. Moments: The Pulitzer Prize Photographs Updated 1942-1982 (New York: Crown, 1982).
Lesy, Michael. Bearing Witness: a Photographic Chronicle of American Life, 1860-1945. (New York: Pantheon Books, 1982).
Lesy, Michael. Wisconsin Death Trip. (New York: Pantheon, 1973).
Lesy, Michael. Real Time. (New York: Pantheon, 1976).
Lesy, Michael. Time Frames. (New York: Pantheon, 1980).
Lewinski, Jorge. The Camera at War: A History of War Photography from 1848 to the Present Day. (London: W.H. Allen, 1978).
Lewis, Charles. "An Analysis of Clarence White's Photograph, 'The Ring Toss.' In Roberts Braden, Judy Clark Baca, Darrell Beauchamp (Eds.) Art, Science and Visual Literacy. (Blacksburg, VA: The International Visual Literacy Association, Inc., 1993).
Longo, Donna. "Towards Understanding Historical Photographs: Essays in Honor of George L. Harris." Occasional Papers 2. (Washington, D.C.: American University, Anthropology Dept., 1987).
McGowan, William. "Eugene Richards: Social Realist." Columbia Journalism Review. (January/February 1995): 43-45.
Meggs, Philip B. A History of Graphic Design. (New York: Van Nostrand Reinhold, 1983).
Mellor, David (Ed). Germany: The New Photography, 1927-33. (London: Arts Council of Great Britain, 1978).
Metzler, Milton. Dorthea Lange: A Photographer's Life. (New York: Farrar, Straus & Giroux, 1978).
Mich, Daniel D. "The Rise of Photo-Journalism in the United States." Journalism Quarterly (1947): 202-206.
Miller, Francis Trevelyan. The Photographic History of the Civil War. 10 vols. (New York: Review of Reviews Co., 1911).
Mueller-Brockmann, Josef. A History of Visual Communication. (New York: Hastings House/Visual Communication Books, 1971).
Naef, Weston J. and James N. Wood. Era of Exploration: The Rise of Landscape Photography in the American West, 1860-1885. (Buffalo: Albright-Knox Art Gallery, 1975).
Newhall, Beaumont. The Daguerreotype in America., 3rd ed. New York: Dover, 1976).
Newhall, Beaumont. The History of Photography from 1839 to the Present, rev. ed. (New York: Museum of Modern Art, 1982).
Newhall, Beaumont. Latent Image: The Discovery of Photography. (Albuquerque: University of New Mexico Press, 1983).
Norback, Craig T. and Melvin Gray, (Eds). The World's Great News Photos, 1840-1980. (New York: Crown Publishers, 1980).
Ohrn, Karin Becker. "What You See is What You Get: Dorothea Lange and Ansel Adams at Manzanar." Journalism History. 4:1 (Spring, 1977): 14-22, 23.
Orvell, Miles. "Almost Nature: The Typology of Late Nineteenth Century American Photography." Views: The Journal of Photography In New England 8 (1986): 57-58.
Partridge, Elizabeth (Ed.) Dorothea Lange: A Visual Life. (Washington DC: Smithsonian Institution Press, 1994).
Pastore, N. Selective History of Theories of Visual Perception: 1650-1950. (NY: Oxford University Press, 1971).
Perlmutter, David D. "Visual Historical Methods." Historical Methods. 27:4 (Fall 1994): 167-184.
Pfister, Harold Francis. Facing the Light: Historic American Portrait Daguerreotypes. (Washington, D.C.: Smithsonian Institution Press, 1978).
Phillips, Christopher. Photography in the Modern Era: European Documents and Critical Writings, 1913-1940. (New York: Metropolitan Museum of Art/Aperture, 1989).
Pollack, Peter. The Picture History of Photography. (New York: Abrams, 1969).
Potonniee, Gerrges. History of the Discovery of Photography. 1936. Reprint (New York: Arno Press, 1973).
Rinhart, Floyd and Marion Rinhart. The American Daguerreotype. (Athens: University of Georgia Press, 1981).
Rosenblum, Naomi. A World History of Photography. (New York: Abbeville Press, 1984).
Rosenblum, Naomi. A History of Women Photographers (New York: Abbeville Press, 1994).
Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. (Albuquerque: University of New Mexico Press, 1971).
Schiller, Dan. "Realism, Photography and Journalistic Objectivity in 19th Century America." Studies in Visual Communication. 4:2 (Winter, 1977): 86-98.
Schlereth, Thomas J. "Mirrors of the Past: Historical Photography and American History." In Artifacts and the American Past. (Nashville: American Association for State and Local History, 1980): 11-47.
Schultz, John and Barbara Schultz. Picture Research: A Practical Guide. (New York: Van Nostrand, 1991).
Schuneman, R. Smith. "Art or Photography: A Question for Newspaper Editors of the 1890s." Journalism Quarterly. (1965): 43-52.
Schwarz, Heinrich. Art and Photography: Forerunners and Influences. (Chicago: University of Chicago Press, 1987).
Seels, Jody M. and Barbara Seels. "Civil War Photography and Its Impact From 1863-1993. In Darrel G. Beauchamp, Roberts A. Braden, Judy Clark Baca (Eds.) Visual Literacy in the Digital Age. (Blacksburg VA: International Visual LIteracy Association, 1994).
Shambaugh, R. Neal. "Timeless Images: Past and Present." In Darrell G. Beauchamp, Roberts A. Braden, Robert E. Griffin. (Eds.) Imagery and Visual Literacy. (Blacksburg VA: International Visual Literacy Assocation, 1995).
Smith, C. Zoe. "Dickey Chappelle: Pioneer in Combat." Visual Communication Quarterly, 1 (Spring 1994): 4-8.
Smith, C. Zoe. "Black Star Picture Agency: Life's European Connection." Journalism History. 13 (Spring 1986): 19-25.
Smith, C. Zoe. "An Alternative View of the Thirties: Hine and Bourke-White's Industrial Photographs." Journalism Quarterly. 60:2 (Summer 1983): 305-310.
Smith, C. Zoe. "Germany's Kurt Korff: An Emigre's Secret Influence on American Life." Journalism Quarterly 65:2 (Spring, 1988): 412-419.
Smith, C. Zoe. "Fritz Goro: Emigre Photojournalist." American Journalism 3:4 (December, 1986): 206-221.
Smith, C. Zoe. "Wisconsin Death Trip as Case Study on the Questionable Uses of 19th Century Photographs in Historical Research." Association for Education in Journalism and Mass Communication Conference, 1993.
Stott, William. Documentary Expression and Thirties America (New York: Oxford University Press, 1973).
Szazs, L.D. and Ralph F. Bogardus. "The Camera and the American Social Conscience. The New Haven Palladium (July 20, 1891): 409-436.
Taft, Robert. Photography and the American Scene: A Social History, 1839-1889. (New York: Dover Publications, 1964).
Thompson, W. Fletcher, Jr. The Image of War: The Pictorial Reporting of the American Civil War. (New York: Thomas Yoseloff, 1960).
Tilden, Freeman. Following the Frontier with F. Jay Haynes, Pioneer Photographer of the Old West. (New York: Alfred A. Knopf, 1964).
Trachtenberg, Alan. "Lewis Hine: The World of His Art." In Vicki Goldberg (Ed.) Photography in Print: Writings from 1816 to the Present (New York: Simon & Schuster, 1981).
Weaver, Mike (Ed.). The Art of Photography 1839-1989. (New Haven: Yale University Press, 1989).
Weihsmann, Helmut. "Third Man's Vienna: A Visual History Document or the Evaluation of Film as Historic Evidence." Journal of Visual Literacy. 13:2 (Autumn, 1993): 73-88.
Weinstein, Robert A. and Larry Booth. Collection, Use and Care of Historical Photographs. (Nashville: American Association for State and Local History, 1977).
Welling, William. Photography in America: The Formative Years, 1839-1900. (New York: Tomas Y. Crowell Co, 1978).
Williams, M. Griffith: First Artist of the Movies. (New York: Oxford University Press, 1980).
Winfield, Betty H. "FDR's Pictorial Image, Rules and Boundaries." Journalism History (Winter, 1978-79): 110-114.
Witte, Mary Stieglitz. "Photography/Digital Imaging: Parallel & Paradoxical Histories." In Darrell G. Beauchamp, Roberts A. Braden, Robert E. Griffin. (Eds.) Imagery and Visual Literacy. (Blacksburg, VA: International Visual Literacy Association, 1995).
Wolf, Daniel (Ed.). The American Space: Meaning in Nineteenth-Century Landscape Photography. (Middletown, CT: Wesleyan University Press, 1983).
Yochelson, Bonnie. "Clarence H. White Reconsidered: An Alternative to the Modernist Aesthetic of Straight Photography." Studies in Visual Communication. 9:4 (Fall, 1983): 24-44.